ROB DURSTON PHOTOGRAPHY

Posts Tagged ‘Canon 5D mk3’

Abbey Insurance BTS

Short and sweet, a detailed brief came my way for an insurance company’s new campaign for outdoor and print. two images of subjects in cars and one of a father/daughter in a home. The more interesting of the three were the car images.
Location photography is always more tricky than studio. Studio you have control over your lighting (ultimately) and your weather. On location, you’re subjected to whatever Mother Nature wants to throw your way and sometimes she can be damn brutal. The saving grace for our two car based images was that they were a very tight crop; we just had to have a “sense” of the environment without actually showing everything around them. Another factor to think about with the shoot is the trickiness of shooting through glass (especially the coated and sometimes tinted automotive glass).
Our first shot was on location in the parking lot of the agency. This allowed us to stay tight to the building for shade (lighting control) and any auxiliary power if we needed it. Since we were using the Profoto 600B’s, we didn’t need power for the lighting, just the laptop to keep it topped up throughout the shoot so we knew we’d have enough juice in it come the afternoon.

parking lot studio

parking lot studio

Now that we have the car in relatively the right spot (we will end up moving it slightly as the sun comes around a bit), we set up our lighting. For this image we are just using the one light, a single head off a Profoto B600AIR with a Magnum reflector and a single full CTO gel covering it.
The CTO will give us a full 2000 degree kelvin shift to the warmer end of the spectrum, that along with the fact we will be shooting in shade will give us a wide spread of colour shifting from the highlights to the shadows without doing it in post.

Camera & light positioning

Camera & light positioning

All we need now is a model. . . . . without facial hair . . . that’s blonde and looks happy (sorry Steve), enter Niamh.

Here is a raw image right out of the camera, with our model in position and looking her part.
RDP_20160509_01351

As you can see, when you backlight translucent materials they show off any and all dust, smudges and smears on the surface. So after some retouching and colour treatments in Photoshop the final looked something like this. RDP_20160509_01351-Edit

And the final artwork with the copy
Photo by Rob Durston ( www.durstonphoto.com )


Lally the Scut – Behind the Scenes

Lally the Scut was written by Abbie Spallen and is the latest production to be featured at the wonderful MAC in Belfast. She is an award winning playwright and screenwriter, who is currently the writer in residence at the Lyric in Belfast.
I was fortunate to be asked to photograph the cast for their advertising media. The art director from the agency contacted me with his brief. He had attached a mood board of imagery he based the ideas on, my work showing the feeling and tone of the images as well as a few showing the composition. He had also hand drawn the overall character layout for the hero image as well as a couple of the individual actors’ direction.

Mood board for Lally the Scut

Mood board for Lally the Scut

Lally the Scut character composition drawing

Lally the Scut character composition drawing

Actor's direction drawings

Actor’s direction drawings

The next step is for me to sit down and think about the most cost effective and efficient way to shoot a dozen cast members in scenario, to make the files the easiest to work on. The image would obviously have to be “comped” or pieced together as the set would be impossibly large to accommodate everyone around an imaginary hole in the ground. I imagined the sun to be shining almost dead center, behind the type. This would make the individual images easier to stitch together as all the lighting would be similar for each actor. The actors would also have to be animated, leaning into the hole and possibly using their props. I would need to have something solid, for the players to be able to place their weigh against and lean down into. A couple of very sturdy ladders, clamped together with a plank of wood between the two of them that I had painted black.
For lighting I bounced two Profoto Magnum reflectors into the white ceiling above the performers heads, with enough light to bleed slightly over the edges of them but not too much that we lose the edges of them for the clipping paths later. Over their heads, hanging on a superboom would be a Profoto Silver Softlight with a full CTO filter on it, to resemble the over head sun shining down on them. From the camera side, just for a little fill on their faces, I used a Profoto Softlight White, without filtration to give it a slight bluish hue in the shadows. Two black negative fill boards then lined the set and black blackout cloth on the floor to keep any bounce down.

BTS lighting set up

BTS lighting set up

Here is a short time lapse iPhone video of the set up and quick test.
https://vimeo.com/123541923

So now that the lighting and set are all up, we’re ready to shoot some actors.

Untreated selected images

Untreated selected images

These are some of the selected images before they were gone through by the art director and his picks chosen. After that I applied my treatments and retouched the images to the point that I liked them. I sent those off for final approval.

Fork the Cat - A difficult recent history of cross community workshops

Fork the Cat – A difficult recent history of cross community workshops

Ellen - She calls a blade a blade

Ellen – She calls a blade a blade

Lally - No one is saying she's whiter than white

Lally – No one is saying she’s whiter than white

Owen - Bringing people the stories that matter

Owen – Bringing people the stories that matter

Bun McTasney - Everyone's eating his cakes

Bun McTasney – Everyone’s eating his cakes

Paths and final assembly complete the image looks like this.

Lally the Scut final

Lally the Scut final

Not too shabby
And with copy and graphics, it looks like this.

Lally the Scut with copy & graphics

Lally the Scut with copy & graphics