ROB DURSTON PHOTOGRAPHY

Posts Tagged ‘location’

Anatomy of a Shoot – Royal Bank of Scotland

We were recently commissioned to photograph a subject in the south of Ireland for RBS, by one of its London agencies. It was to be a cool environmental portrait of the subject and her fishing boat that she and her husband own. Of course time was of the essence since she also has a day job at the Guinness brewery.
We set up a time, between her dropping her children off to school and her work, as well as a location in and around the dock area where her fishing boat is moored. Since it was such a short notice, from the time I got the call from the agency to the shoot date, I didn’t have time to do a location scout. We would normally visit the location and take some wide overall images as well as some photos of how the subject and environment might interact and what simple props might be there. Today we would be winging it.
So with a shoot like this where we have very little prep or little time to shoot, I start by literally running around the location to get a sense of scale, angles, perspectives and any unique attributes. Here we have a normal looking fishing harbour, with boats docked; no one was heading out to sea yet but there were some nets piled up further down from the boat. I normally get my assistant to sit in for the subject to get an idea for body position and expression but today I got Richard to stand behind the camera and take a few of me instead.
I knew what I was looking for (that pre-visualization class in college always pays off) and how I wanted the subject to “come off being natural”. Here is the shot of me in the pose.

Rob as subject, slightly too bright and too much DOF

We have lit it with a Profoto 600B and a Magnum reflector. To over power the ambient we needed to crank the power up but obviously by doing that we are stuck with all this depth of field from using a small aperture to compensate. If we were shooting with a leaf shutter lens we would be able to play with the shutter speeds more and decrease the amount of ambient in the scene but since we are on a focal plane shuttered Canon we are locked in at 1/125-1/160th of a second, not really ideal for syncro sun or over powering the sun. So to take down the background a bit more, I put a 3 stop ND filter on the lens to take the light down and really focus your eye in on the subject; this is 9:30am and the sun is pretty high in the sky already.

Sharon as subject with better “mood”

I like this one of Sharon better than mine, the ambient is down those few stops and really makes the subject pop. If I was to use this as a final edit I would either take out the front light on the boat or crop it out and remove the distracting name on the side of the hull too.

We always need to do options for clients, unless otherwise instructed and this was no different. Since I was art directing myself, I wanted to really make the viewer feel like they knew Sharon and could relate; I needed a more intimate scenario. I did four more set ups but here are two of my favourites.

If you have seen some of my other work, you’ll know that I’m a fan of the square crop. A good square crop, some key colours and if you’re lucky a little bit of “graphicness” and you’ll make your job easier when it comes time to editing your picks. Further down the docks I found a steel cage container full of fishing nets, I had my graphic element. Sharon is wearing her bright yellow and blue Van Halen bib overalls and boots, so this all made it easy build the next photo. I attempted a few different focal lengths, angles and poses.

Different angles and poses

In the end I really liked the square on, square crop with a relaxed inviting pose.

RAW photo

And after a little post processing and some finessing, this is what we achieved.

After post

The last scenario I’ll show you involved having Sharon sitting, surrounded by nets. This one again is lit with just a Magnum reflector on a Profoto 600B. For this set up we just went syncro sun or just slightly over bringing the background down maybe half a stop. The Magnum reflector is great on location, helping to push the “little” Profoto 600B’s output into territory that its bigger brother the ProB 1200’s output would get you
I like the leading lines, the texture, the colours and her warm smile and natural pose. I think the orange life preserver compliments the cool colours and helps draw your eye into the frame.

Sharon amongst the nets


Model test – Stuart

Been keeping busy with things around Lucy’s Trust and work these past few months. Before I post something from the advertising world, I figured I’d post a quick test we shot with Stuart. We are in the middle of vying for a pretty big catalogue shoot coming up and we’re looking for a late 30’s, or 40 mature guy.
Stuart came forward a few weeks ago so we quickly did a test in between shoots. We went up to Black Mountain overlooking Belfast and couldn’t have shot on a more drizzling day (you can actually see the rain in some of the shots). The fog was very heavy when we first turned up but we proceeded on, and sure enough it started to lift and give us some beautiful soft light.


It was a good quick shoot and the walk back to the cars was right on time as the skies started to open even more and pour down.


Anatomy of a Campaign – Sangers

Its coming up to a year since I shot this little campaign for Sangers Pharmaceutical. It was definitely a fun one. Chris from Fire IMC (RIP) approached me with an idea of different locations around Northern Ireland, showing the diverse landscape with one of their vans driving through it. He had a pretty good idea of which regions he wanted to use but that was pretty much it. He left it up to me to find exact locations and scenarios for the vans. Normally for a automotive shoot you would have lighting set up; HMI’s or in the least some big strobes but because of the budget and size of this production it was decided all of that would be staying at the studio and it would be just man and camera scenario, well with an assistant or two to spot for me so I didn’t get run over by any random traffic.

Derry/Londonderry – Of course we had to have the wall in the shot, to place it as being in Derry. We could have just had it running parallel to the wall but it would have been just too two dimensional. I would have liked a real “in yo face” image of the van driving straight for the camera, through one of the wall arches but we wouldn’t have been able to see the branding on the van and more so, I’m sure the PSNI wouldn’t have approved of me lying on the road, directing a 2 tonne van towards me with traffic and pedestrians everywhere. We ended up after scouting around on a reccy day, deciding on the Ferryquay Gate for the van to be coming through. On the day of the shoot everything worked out as planned; the van was backlit, we had a blue sky and traffic was low, making for a great contrasty image, really showing off the van and the branding on the side.

Sangers Pharmaceutical in Derry

Sangers Pharmaceutical in Derry

Glenshaine Pass – This proved to be one of the more difficult locations just for the sheer madness of the wind howling up and down the pass on any given day. It is also not any easy location to make the landscape shine as well as have your product in the foreground, attempting to be the hero. The beautiful rolling hills and valleys in the Glenshaine are all just a little too far from the road itself but we found a few locations that lent to a tidy compromise. As well as the two or three stationary set ups we also ventured to try some moving shots, car to van. I can’t say they were really that successful with all the traffic flowing through the pass, as it made it difficult to get a clear shot at any one time. It did prove humourous though when I spied off in the far right of the viewfinder a PSNI police car zooming up the pass towards our Audi A6 chase car; I’m guessing he didn’t spot me, hanging out the window with my upper body contorting out and over the white lines of the road and into the other lane. The image they ended up using was one of our static 15 foot ladder shots with the van passing in front of the rolling hills.

Sangers Pharmaceutical in the Glenshaine Pass

Sangers Pharmaceutical in the Glenshaine Pass

Fermanagh – The brief for this one was simple, show some elevation, the van and some water. All said and good but its near impossible, at least I never found a location on a road where you could place a van and still see the lakes in the background. Oops, I take that back, I did find one location like that, on a bend in front a farm, unfortunately though the client didn’t like it. I spent two days scouting around the area when I finally came up with a suitable option. Looking up and over a small dock area, towards a bridge where we could have the van drive over. At this point though we were starting to run out of time and acceptable days to shoot on. Taking what we could get weather wise, after the long drive out to the location we set up the camera, moved a few boats around and radioed over to the driver to make a dozen passes over the bridge, changing his lane positions slightly to give us a better view of the side of the truck.

Sangers Pharmaceutical in Fermanagh

Sangers Pharmaceutical in Fermanagh

Belleek – Here we are in beautiful Belleek. We end up with a beautiful sunny day for this one. Good too, since I didn’t get a chance to scout this location because we were picking it up as an option to one we had shot in the Mournes that didn’t really scream “Sangers” for the client. Since we’re in Belleek what do we have for landscapes or recognizable landmarks? Why the huge Belleek Pottery building of course. I tried a few different angles on the building, placing the van around its outer perimeter. The most picturesque was the van coming over the bridge. Again we waited for the sun to backlight the van slightly and had the driver make a couple of dozen runs due to the heavy spring traffic coming through.
I wonder if anyone can tell me geographically what’s wrong with this picture?

Sangers Pharmaceutical in Belleek

Sangers Pharmaceutical in Belleek

Belfast – Belfast proved to be the quickest and one of the most fun locations to shoot. Hanging out of the window of the A6, zipping around Belfast City Hall, first thing on a Sunday morning, swapping lanes and dodging early morning pedestrians we finished before the major church going traffic appeared. We didn’t really have a whole lot of options here. A static shot, even from the 15 foot ladder didn’t do anything for the van or the building. It needed some movement. Chris manned the driver’s seat and we sliced through those empty Belfast downtown streets, chasing down our van driver in a unrehearsed game of cat and mouse. No options when it came to lighting, sun position etc, so we just went for it, knowing that any changes or extras we wanted would have to be added in post. We were lucky that for the most part, the several selects were all spot on and the final pick just needed the sky brought down slightly.

Sangers Pharmaceutical in Belfast

Sangers Pharmaceutical in Belfast

So there you have it, another short and sweet campaign brought to you by Rob Durston Photography, thanks for reading.